SUBMIT PLEASE.

Elloise Alexander
18, VIC (AUS)

“ARTHRITIS WRITES, THE SUBCONSCIOUS PRESENTS”

Staring into that mdf the trance begins. Sub consciously choosing colours that feel right, whether they look right doesn’t matter. Afterwards you’ve exited that trance and created a compositional masterpiece,all organic and automatic.The best way for you to make something is without having other people in the room, because you can sense they’re thinking about something that isn’t worth putting into a work, because everyones thoughts become so loud in a room so quite. The sub conscious composition can be associated to anything, its not supposed to make anyone feel a certain emotion, it’s not always about provoking something out of someone else, it’s not about confronting them with their fears, or their reality or any other bullshit thats expected of your creation. Nothing feels forced to them because there isn’t shades of blue to make them think something sad,or whatever emotion they associate with any colour, Its about the fact you’ve created something. Sometimes for you its about putting puzzles together, connecting one traumatic experience to how you behave, it could be an excuse almost. Like ‘i don’t know why i behaved that way but if you look at this it might explain why’.


http://www.instagram.com/el_died

Kit Steiner, 16 (VIC, AUS)

28/8

“Real pain, Fake hands”

I don’t think I possess the capabilities of being open and honest, I’m afraid of everything and normally destroy anything I make within the hour. I don’t know whether it’s because I’m a Virgo or just unstable, but I’m emotional, probably too emotional for the image I want people to associate with me. Around people I act like a small child that’s just been to a party and is hyped up on $2 mixed party lollies, but alone I’m pretty much the opposite. Another thing is become infatuated with people way too easily, most likely out of boredom, but alas whatever the cause it’s a real pain in the neck.

These paintings are 2 out of probably 10 works that I haven’t gotten rid of, I don’t even really like them, but I don’t think I should get rid of them just yet. Without getting into the gory details, they’re about my 5 minute crushes. To sum them up I’d say imagine hearing every angst ridden sad love song playing so loud you can’t think straight all at once, while simultaneously trying to explain to your younger sibling why mum and dad don’t live together anymore.

I don’t know what people think of me or my work, and really would like to say I couldn’t care less. Social media has beaten my care of other people’s judgment to a pulp, which is probably for the better. I’m scattered and so is my art – if you can call it that – I work in short bursts, and if anyone calls anything I make contemporary I’d probably have a hissy fit, I really don’t want to be pegged to a certain art style, especially contemporary (I can’t stand it.)

The paintings are dedicated to a really close person of mine, I won’t say friend, but I won’t say crush because I’m confused and I’d probably jinx myself, why risk it you feel?

http://www.instagram.com/goblindaddy__

James Canini 17,SYD (AUS)

“Cityscape”

As a young teenager I was always interested in the thought of capturing a particular moment in time with my camera, whether it be a particular look the subject is portraying or the overall environment of the image. What drives my photography is always having an open mind when it comes to your landscape and exploring new concepts, always developing a coherency with your  subject that your photographing

https://www.instagram.com/jimmydank/

Mudbloodead, 25 (Santa Cruz, California US)

“You’ll be fine”

I make messes. I don’t try to but it’s inevitable. I am easily distracted and tend to physically drop things if another idea catches my mind. I try to clean when I can but its only a matter of time until an almost perfectly planned mess is set in lieu of my efforts to clean it. My messes stress me out and I usually get upset at myself for letting it get so bad but then I cope by hiding in it and pretending it isn’t that bad.

My method of painting is also messy. I learned long ago that planning to paint something specific is planning to fail, with expectations cause failure for me and I realized if I destroy any expectations, I can never fail in what I expect to paint. I usually just go for it and use the magic of acrylic to paint layers and layers over what was previously drawn until the painting itself tells me I’m done.

Awhile ago I started painting tabletops. First i started painting my actual messes but soon I learned I could make messes out of nothing instead of trying to replicate it. I guess, painting messes makes me feel like I have control in them where before I felt controlled by them.

I tend to write notes to myself through all my paintings and usually go over them and usually, one phrase will linger because I’m not ready to paint over it.

“You’ll be fine” stuck out and remains.

http://www.instagram.com/mudbloodead

Seve’ De Angelis
19, TAS (AUS)

  “I Don’t Understand, I Thought We Would Be Done By Now. Guess Not.”

Date: 23/8

I tend to draw influence from internal experience, which is then amplified by the external. Self-portraiture is the main focus and the base foundation within my work, which then everything is built around. I tend to not fully understand what the work is about until after it is completed, or when I am working there are pieces that are brought out and you go “fuck me, is that what that is about?” All completely stream of consciousness.

Prior to this work, I been experiencing a very, very intense block in my way of thinking and it had all been stalled because of one moment.

There was a moment that I was shown what my life would feel like if I was truly just alone with myself and my craft at this stage of my life. It was more beautiful and fulfilling than anything that had been shoved in my face. I knew something had to change, and I knew exactly what that thing was. But nothing has changed, it has just become really stagnant. There is a figure that is weighing me down, and squeezing the life out of me. But I can’t push it off. And it hurts, but there is very little I can do. I don’t want to hurt her.

There was a lot of boiled up, I don’t really know what to call it. But this overwhelming feeling to put something down, I imagine there are a load of others who feel like that. It is like therapy. Talking to yourself about yourself to understand more about yourself.

If the audience can look at it and just admire it for whatever reason, if that be how they like how it looks or they can relate to the feeling and emotion within it, then I feel like I have done something. Even if they look at it and think it is complete shit, I don’t mind. I’m just happy that people are seeing it.

Well, nothing really. Just bobbing along waiting for something to float along.

https://www.instagram.com/seve.deangelis/

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IsaBella Mae (MÄYSIE) 
19, VIC (AUS)
Music 

“Reinos”

Reinos means realm in spanish

The feel I was trying to create when making this piece was to move you (the audience) or something concrete . 

The music allows you to zone out and think about something important for a little while, maybe feel empowered about something you hold dear. 

Or you may not think of anything at all

http://www.instagram.com/silke.tea

Mollie 

18, VIC (AUS) 

Pictures taken on August 8th 

“What if I can never get unstuck”

The emergence and integration of social media into navigating daily existence has profoundly altered the way in which we view ourselves and others.
Instagram, snapchat, tumblr (and whatever other corners of the sphere you concern yourself with) encourage self publication and curation-but do so under a myriad of strict (unspoken) laws.

We are urged to promote the best aesthetic version of ourselves yet are condemned for narcissism and superficiality. We are pushed to demonstrate artistic and intellectual merit yet are often censored as pretentious or obnoxious for doing so. Posts preaching of kindness and charity are discouraged, ignored and “likes” rather donated towards selfies and good ass pics.


Today there seems to be a fine and often indistinguishable line between self love and self indulgence. One controversy that is consistently prevalent is the conversation around the sharing of emotional and mental health issues. We are all culpable of judging people who post passive aggressive or cheesy/generic quotes or just blatantly cry for help (or acknowledge their nihilism/depression in a non-meme form).

Naturally it is hard to understand the context of these acts if there is an absence of personal connection. With the decoration and distraction of first world life, we have all been guilty of amplifying trivialities at some point, and often do so frequently and repeatedly.

So how can we fairly decipher if someone is asking for attention or asking for help on a platform that is severely blurred in it’s ambiguity? Some assume sincerity and respond with empathy, whereas others chastise and resent. But perhaps instead of questioning the sincerity or validity of the person’s expression we should ask ourselves why we so fervently discourage assertion of emotion?

At some point in time it was deemed appropriate to be devoid of vulnerability and immune to the drastic fluctuation of human feeling. Cool detachment has become preferred to empathy and enthusiasm. Young women who share their grief and anxieties fall victim to the age old categorisation of “female hysteria” and young men are labelled weak, feminine, “pussies”.

One of the greatest gifts evolution has granted us is the capacity for insightful communication, yet we spend so much time following scripts and adhering to the conventions of what we should and shouldn’t say, how we should and shouldn’t look, be and feel. Perhaps instead of instinctively judging and dismissing posts of heavy content we should work on re-sensitising ourselves to connecting with others and appreciating them in their weakness and emotion and not just in achievement and full colour.

An unsuccessful venture left me returning home defeated, despondent
and tired; of moving and interacting in plastic/pretend streets
and tired of trying to be. Some days you can’t prevent collapse.

The following photo series is of me in that moment, amateur and poorly self captured, ugly and displeasing in texture, but honest, because this face I wear every day is as important as the one with mascara and composure intact. The intention of these pictures is to reveal vulnerability and humanise, because we all cry (and rightfully so) too much to perpetuate the stigma associated any longer.

SIFT. | Facebook

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Oscar Stokes
14 (Dubai, UAE)

“TOE JAM”

I work in the art medium of music, specifically Indie rock and guitar. I like to spend my time either making music or skating, which both give me artistic freedom. I am inspired by what is behind the music and what you don’t here at first such as second guitar lines or bass instead of lyrics, I feel this is important to do as it allows people to see what naked music is really like. I am a full believer in equal rights in race, sex, sexuality and others. My life is also very much fueled by the fact I am atheist, being an atheist to me makes me work for what I want and have an open mind and not have to ‘pray to God’ when I need something but to work hard for it, I believe this makes me a more intelligent person.  

What primarily led me to producing art , (at first skating) was my parents messy and painful divorce. I stared to go outside and skate or go play the guitar as an escape from the reality of the moment, whether is was the arguments or the lasting shockwave and wake of an argument which left a feeling of hate around the house. As I was getting into music I found if comforting as I could find artists that went through the same sort of thing and that have made something great as a product of it for example; Morrissey, Kurt Cobain, Noel Gallagher. But even though his was tough for me I still don’t think I’ve been through so much and don’t feel sorry for myself as I know there are people in Syria and other places loosing their family’s and homes so I am always grateful for the things I have.

When listening to my music I would like people to know that they can do something great even if it it seems impossible at first. I have only been playing music for about 2 years and have managed to release an instrumental album. This just shows that you should make most of an opportunity and if you love something stick to it.

https://soundcloud.com/oscarstokes

Skyriac

20, SYD (AUS)


“Blah Blah Blah, Something About Boys”

These photo prints were my first real shot at using the darkroom. I made them when I was studying my first ever semester of photography. The assignment was to use found objects and experiment with exposing photo paper, surrounded by the idea of Instagram and online personas. I decided to use some old rolls of film from last year that I took of a past lover and try to embrace the side of relationships that are beyond what goes online. My ex lover and I were in a long distance relationship, so a lot of our relationship primarily relied on the internet. Our online personas during the relationship were a big factor in defining what we liked in each other, although now I look back and think it’s quite sad. I wanted to express the other side of a relationship that people don’t see online. intimacy, the fights, the blurred parts that nobody really experiences other than the two participants of the relationship. So i used different found objects that were remnant of those things. Ripped stockings, cigarette butts, lingerie, plastic diamonds.

I guess I felt it was a good time for me to make some art after a traumatising break up. My ex and I were on good terms at this point and I got his permission before I made them. I didn’t tell him the whole concept though. I tried to flatter him and make it feel like it was fan art or something. It was the complete opposite.

I like my work to be raw, personal (sometimes too personal) and dependent on different experiences that have happened in my life, that I know other people would have gone through too. I want to relate to people in a sense that I have felt the darkness they have felt and I get it, I’ve gone through the sadness, the trauma, and I can assure people it’s actually quite a beautiful thing to be able to feel.

I think my work is very feminine. It would definitely appeal to teenagers/young adults, feminists, and anyone who sees the appeal in sexuality and lust. Lots of LGBTQ people seem to understand me and my work, which I love. I’m glad my work appeals to such supportive and passionate groups of people.

My ex and I stopped talking after I created these, he did say he liked them though. Before shaming me publically for posting them - haha thanks dude!

https://www.instagram.com/skyriac 

https://www.flickr.com/photos/skyriac/